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The Great American Holy Ghost Electric Show

by The Holy Ghost Electric Show

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1.
I am the bastard son of a thousand highway towns Born on Independence Day with Orion’s fire in my mouth I’m wrapped in your wagon wheel with a bellyache in my heel I ain’t got no one howling for me All my friends are gone When you ain’t got nothing, you ain’t got nobody God don’t drive no Chevrolet he rides a Greyhound everyday Down to Tunica and back dressed in black He tips the brakeman a roll and offers to save his soul But he will no pay his rent, to quote, “I will not pay your rent” When you ain’t got nothing, you ain’t got nobody
2.
Glory Days 04:34
Look out the yonder window There’s a long arm over Chicago Maybe it’s God laughing hard at his Son bleeding the Mississippi from his arms From my house to the governor's lawn From Time Square to your heart But don’t take it, don’t take it all so bad For these glory days are all we have Bleed out the yonder state line Your eyes dart on your Cavalier's side You told me once you had a dream Where you sang and I banged the keys Well, I had a dream too And all your years were colored blue But don’t take it, don’t take it all so bad For your glory days have already passed Look out the yonder window
3.
I saw Joseph in Harlem in a coat of colors His thoughts they bled onto the sidewalk Waiting for somebody to pick ‘em up He said, “Brother, I am tired I’m bent out by society’s pliers.” He said, “Brother, you too look tired. May I ask you your name?” I said, “They call me New Year’s Eve ‘Cause on New Year’s Day I ain’t worth a thing. Yeah, they call me New Year’s Eve So get your bourbon, Joseph Let’s drink to me.” My father and talk show hosts and televangelists, Holy Ghost They’re all trying to tell me the exact same thing That that my paper it pumps the blood, But my paper veins ain’t strong enough to give any relief to the brain But my thoughts are baptized and realizing That the only thing worth despising is the way I’m in every problem I have And I made stairs out of all our dead cell phones They took me right up to Heaven’s throne And I ran back home Tell me why I ran back home Why did I run back home? “They call me New Year’s Eve ‘Cause on New Year’s Day I ain’t worth a thing. So get your bourbon, doll Let’s drink to me. And until New Year’s Day we will sing” Let the waters rise
4.
Hey, medicine man, do you really have the cure? I might have small time influenza but I can’t be sure. Oh, what bronze day could I carry for you? To ease your Harvard law, boy, to steal your Cadillac blue? Till that hour I will sigh for these amphetamine angels are what gets me through the night. Oh, here we go. Round and round the old rodeo. There ain’t no rest for the wicked, there ain’t no common good. There ain’t no cane on the farm, there ain’t nowhere safe. There ain’t no love for Harriet Lack. Hey, gypsy Davey, I hear you make these train tracks pound. There turn wild and sing hallelu to your thin, mercury sound. Oh, what messiah would blush and ignore a locomotive, open wide headed for heaven’s door? Oh, here we go. Round and round the old rodeo. There ain’t no rest for the wicked, there ain’t no common good. There ain’t no cane on the farm, there ain’t nowhere safe. There ain’t no luck for Harriet Lack. There ain’t no love for Harriet Lack.
5.
Tin Man 05:37
Back in Memphis in 72’ I’ll show you man that’s sidewalk blue. He came home crazy from Vietnam and started collecting old, thrown away cans. What makes him different from the average bum is he thinks he’s God’s only son. He rolls into the projects at night and the streetcar children cry with delight And the whole block sings. Hey, hey, Tin Man can you save my soul? Hey, hey, Tin Man here’s a dime for that lonesome road. He sees the neon, he sees the briars Wrapped around your heart’s darkest desires and ever cruel thought. He hears the thunder, he watches it roll from Graceland’s walls to Jericho And them walls are tumbling down. The white folk think he’s on coke so they call a copper and make him hit the road. But even if Germantown’s in flames his love for the copper remains the same And heaven’s choir sings. Hey, hey, Tin Man can you save my soul? Hey, hey, Tin Man here’s a dime for that lonesome road. He pointed at a cross on his last day And spoke these words and the sky was grey. He said, “I’d climb on her again if it’d do a thing, If it’d bring home my daughter If it’d bring home me friends If it would stop the riots If it would stop the war If it’d stop this traffic If it’d stop their horns If it’d build a ladder made of gold That climbed to the top of heaven’s throne If it’d do a thing If it’d do a thing But I ain’t got enough blood. No, I ain’t got enough blood.” Hey, hey, Tin Man can you save my soul? Hey, hey, Tin Man here’s a dime for that lonesome road.
6.
Surprise 04:26
You got some kind of nerve, doll, to be acting all cynical to me Your nicotine and habits, love, ain’t no mystery And Abba Father is laughing a thousand tongues As your lover, Iscariot, realizing just what he’s done Just goes to show that these fires are the greatest Surprise Surprise Oh, Johnny you just carry that water on down Your bound to meet my ghost You’ll find him patrolling the sky high pines He’ll say, “I feel no blood, but I know that I’m alive.” Just goes to show that these fires are the greatest Surprise Surprise Your mother knelt down on bended knee And she wept As your father found the revolver In your wedding dress Some day we’ll all pay Some day the river will demand pay Surprise
7.
There’s fireworks over Fairview tonight Wheels of fire turn and fade up above the city lights Heart attacks beat my uncle’s chest tight As fireworks turn and fade over Fairview tonight If you marry me, darlin’ Then you marry the road Best count the cost before you write off being alone Can’t you see I am a plagued man My words will do their best to outrun every memory I can’t If I could be anything for a day, I’d be a bed and sleep my troubles away I’d meet Jesse James on a cloud And break C notes with my mouth As pastors claimed healed is their heart God took away everything but the heroin marks Do you think that Simon really wanted to beat his kid the way his father did him? Do you think that Simon really wanted to beat his kid the way his father did him? There’s fireworks over Fairview tonight Wheels of fire turn and fade up above the city lights Heart attacks took my uncle’s life As Jesus and fireworks danced over Fairview that night
8.
Another Land 02:21
Lord knows that I wanna go Back to that open land Where my father and mother raised me To be the man I am But now my father’s crown is gray And my mother she is frail They had to sell the old home To afford to keep well Lord knows that I wanna go Back to that open land But time has stolen it from me It’s now outta my hands
9.
Down comes Elijah in his chariot of fire He’s casting glances as he rolls on by He’s riding over the sun As it bleeds red And spills over into the western sky He’s singing, “Toss your hair sweet, sweet death Let me know that you are all mine.” Look at you, doll You are skinny as a rail You skin has taken the same shade The moon is pale The conductor he’s riding us to Hell I don’t think his intentions aren’t meant too well He’s singing, “Toss your hair sweet, sweet death Let me know that you are all mine.” Oh, what a great sin did me and my love commit We’re singing, “Toss your hair sweet, sweet death Let me know that you are all mine.”
10.
Diamond’s underbellies dissolve in the air With all the bells and whistles, but without a care And why do I take everyone so personal? Tell me why do I take everyone so personal Why don’t you just learn to grow up? You know as well as me that you can’t shut up No, you can’t beat the devil at his own game Hypnotic alcoholics will only stretch out your veins And I’m comfortable with my mortality, But I don’t think my mortality is comfortable with me Your tie-dyed retinas always reading my mail You shouldn’t play with my mind girl You know that it ain’t well No, all this wishing is only wasted time All this living is only borrowed time And do I care more than I want to believe Can my exits be predetermined Based on what I’ve already seen And why do I take everyone so personal? Tell me why do I take everyone so personal I’m comfortable with my mortality But I don’t think my mortality is comfortable with me And why do I take everyone so personal? Tell me why do I take you so personal
11.
Elizabeth 05:58
The angels are throwing a parade Above the downtown YMCA They bang their pots and pans and their drums And disappear into the golden sun It got me thinking about the years gone by As a box car Chevrolet drove by and pounded my mind I remember when me and my brother were young And father took us in the woods where the deer and doe made love And said, “That whisper in the wind, boys I’ve heard it before It’s just shakedown from the Lord.” Elizabeth, do you know what it’s for? Your father became a pastor He said, “Give me the weak, give me the bastard.” And I remember those towering pines That guarded those childhood times, But now those trees are gone in the name of a highway And now the red, white, and blue has turned into a neon skyway And feel like Achilles I feel like Brando I’m feel like I’m hanging on some Rockwell Twain halo But late at night I’ve been having the grandest of visions Of an empty ballroom and to your womb you’re whispering, “That whisper in the wind, boy I’ve heard it before It’s just a shakedown from the Lord.” Elizabeth, I can’t fight this war. John Wayne killed the Indian dead With a curse word and pistol whip ‘cross his head But what John never did know Is that even his swagger will grow old And as the silver screen faded to tobacco brown Your father and mother came back from the hospital downtown And your Navy boy burned wild As your parents said the same words that will crawl in your newborn’s bed, “That whisper in the wind, boys I’ve heard it before It’s just a shakedown from the Lord.” Elizabeth, this is what it’s for.
12.
Pisgah 06:59
The rain beats down the streets An old song of Indians long gone And the windows of each home Turn to ivory then gold Fade soldier your light’s gone In the night With your high beams shining bright Let your colors wash up on The great sands of time I hope you glimmered As bright as the stars That surrounded the telephone pole Wrapped around your car I hope your soul left Pisgah

about

Corinth is in northeast Mississippi. It is not in the famed Delta. It is not on the redneck riviera of the gulf coast. It is nestled in the hills that will become the mountains. It is of the land Mississippi Fred McDowell and the Hill Country bluesmen R.L. Burnside and Junior Kimbrough sprouted roots. It is the big bright buckle of America's Bible Belt and it is the original home of Holy Ghost Electric Show. Depending on what you would imagine the sons of preachers playing rock music in Corinth would sound like, HGES sounds exactly what you imagine...or nothing like it. Brothers Cody (songwriter, lead vocals, rhythm guitar) and Jake Rogers (guitar and banjo), Will Shirley (guitar), Connor Wroten (bass), Austin Wheeler (drums) and Jesse James (trombone and keys), have created by way of their debut, THE GREAT AMERICAN, an album that speaks well beyond their years (the band has a median age of 22 years.)

The brothers Rogers were raised with issues of religion, race and moral equivocation worn on sleeves...not hidden or neglected in favor of more polite conversation. Their father started a church designed to bring rival gang members into the same building to worship together. This was their childhood. Cody's songs bear this out. Touching on these subjects and many others of both the personal and global variety, he weaves word and sound into anthems of triumph and wonderment. Musically, the band utilizes country and folk rhythms but indulges rock ‘n roll and noise rock, recalling influences as disparate as Topanga Canyon and the Elephant 6 Collective. As Rogers says, “America’s a melting pot, and our music is the same way." That fact is due, in part, to the fact that the band began to take its current form in the friendly college town of nearby Oxford, Mississippi...home of the Ole Miss Rebels, Fat Possum Records, John Currence, the Taylor Grocery and a musical culture and lineage that would make any big city jealous. It was in Oxford that HGES hones its sound and began to start winning over audiences. Whether standing atop tables at Proud Larry's or playing Fringefest at the Powerhouse Community Arts Center, Holy Ghost is steadily working and steadily welcoming more and more fans to the fold.

Honestly, there are two Holy Ghost Electric Shows. There is the band you listen to late at night on your headphones and there is the band you see whipping crowds into a frenzy and leaving nothing on the stage. HGES does an amazing job of taking the songs from their debut (as well as a few choice covers and new songs) and giving them room to erup live. Guitars are being traded...trombones marching through crowds...drum sets crashed...everyone is screaming...it's rock and roll and it's hot and it's sweaty and it's the Electric Show, to which audiences from all over the Magnolia State will testify. Preach.

credits

released August 12, 2014

Recorded and mixed by Winn McElroy at Black Wing Studios
Mastered by Ted Gainey

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The Holy Ghost Electric Show Oxford, Mississippi

"Guitars are being traded...trombones marching through crowds...drum sets crashed...everyone is screaming...it's rock and roll and it's hot and it's sweaty and it's the Electric Show, to which audiences from all over the Magnolia State will testify. Preach." ... more

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